b. Objectivism
Creation is the reconstruction of human wisdom. It relies on subjective comprehension of film works to give some creative advices. However， creation is not the blind construction. It should establish the objective spirit and carry out creation activity based on objective facts. Therefore， filmmakers should respect the objective law of art to create different kinds of vivid true film images and shape different typical personalities. For example， films like Nanchang Uprising， the Xi'an Incident， Liao Zhongkai， etc. depict in multi-angle the revolutionary leaders and present historical figures such as Chiang Kai-shek practically and realistically according to the history.
c. Art
Chinese film concept is different from the general cultural art. It contains the Chinese characteristics and establishes the art category centered on the development of Chinese cultural undertakings， which makes it diversified on its style and pattern. The expansion of the theme field enables artists to perform freely their own ability and specialty. This has been reflected in films such as The Loessland， Sacrificed Youth， Red Sorghum， the Story of Qiu Ju， Woman Sesame Oil Maker， Farewell My Concubine， etc.
d. Populism
No matter what kind of films it is， it ultimately will be shared with the public. Therefore， to obtain the recognition from the broad masses of film fans is the essential factor for films’ success. The modern film creation should focus on the perspective of popularization and develop the creation activity according to the popular thinking and extract the popular film concepts which conform to the development thinking of the time. For example， in recent years， the number of comedy works is decreasing. Comedy films like Lost in Thailand not only meet the demand of popular entertainment， but also set a new record of Chinese films’ box offices， which reflects the popular thoughts of Chinese film concept.
3. Modern construction and reflection of Chinese films
As a country in the post-film era， China should develop its film culture undertakings from various aspects to construct the film mode in accordance with Chinese characteristics. In the modern construction of Chinese films， attention must be paid to historical retrospection. To draw lessons and experience from the historic culture can provide the film culture construction with scientific instruction and direction.
a. Emotion involvement
Film， as a unique cultural product， compared with general comm-
odities， its particularity lies in its content level which must be involved with human emotion， morality， culture， spirit and many other factors， and all these factors are closely related to a particular cultural value. In the process of Chinese film construction， we need to highly apprec-