第二十六章
Lea, K. M.Italian Popular Comedy: A Study in the Commedia dellarte, 1560-1620, with special reference to the English Stage, II［M］. Oxford: Oxford University Press, 1934.
Lee, Michelle. Shakespearean Criticism［M］. Vol. 44. London: The Gale Group, 1999.
Lee, Michelle. Shakespearean Criticism ［M］. Vol. 90. Michigan: Thomson Gale, 2005.
Leggatt, Alexander. Shakespeares Comedy of Love［M］. London: Routledge, 2008.
Lennox, Patricia. Shakespeares Movie Mothers: Maternal Representation in Films of “A Midsummer Nights Dream”, “Richard III”, “Romeo and Juliet”［D］. City University of New York, 2002.
Lentricchia, Frank, et al. Critical Terms for Literary Studies ［M］. Chicago: University of Chicago Press, 1995.
Levack, Brian P. The Witchcraft Sourcebook［M］. New York: Routledge, 2004.
Lewis, Allan. “‘A Midsummer Nights Dream’: Fairy Fantasy or Erotic Nightmare?”［J］.Educational Theatre Journal, Vol. 21, No. 3 (Oct., 1969): 251-258.
Lodge, David.The 20th Century Literary Criticism［M］. London: Longman Group Limited, 1972.
Macfarlane, Alan.Witchcraft in Tudor and Stuart England: A Regional and Comparative Study ［M］. 2nd ed. London: Routledge, 1999.
Magoulias, Michael. Shakespearean Criticism ［M］. Vol. 29. Detroit: Gale Research Inc., 1995.
Major, Rafael M.Wisdom and Law: Political Thought in Shakespeares Comedies ［D］. University of North Texas, 2002.
Mangan, Michael. A Preface to Shakespeares Comedies［M］. Beijing: Peking University Press, 2005.
MaxwellStuart, P. G.The Occult in Early Modern Europe: A Documentary History［M］. New York: St. Martins Press, 1999.
MaxwellStuart, P. G.Witchcraft in Europe and the New World, 1400-1800［M］. New York: Palgrave, 2001.
Mebane, John S. Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare ［M］. Lincoln: University of Nebraska Press, 1989.
Miller, Ronald F. “A Midsummer Nights Dream: The Fairies, Bottom, and the Mystery of Things”［J］. Shakespeare Quarterly, Vol. 26, No. 3 (Summer, 1975): 254-268.
Miola, Robert S. Macbeth: Authoritative Text, Sources and Contexts, Criticism ［M］. New York: W.W. Norton, 2004.
Moffatt, Laurel. Shakespeares Use of the Idea of ‘Nothing’［D］. The Catholic University of America, 2006.
Montrose, Louis Adrian. “‘Shaping Fantasies’: Figurations of Gender and Power in Elizabethan Culture”［J］. Representations, No. 2 (Spring, 1983): 61-94.
Montrose, Louis Adrian. The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre ［M］. Chicago: The University of Chicago Press, 1996.
Moschovakis, Nick. Macbeth: New Critical Essays［M］. New York: Routledge, 2008.
Muchembled, Robert. A History of the Devil: From the Middle Ages to the Present［M］. Trans., Jean Birrell. Cambridge: Polity Press, 2003.
Muir, Kenneth.The Sources of Shakespeares Plays［M］. London: Routledge, 1977.
Murphy, Patrick M.The Tempest: Critical Essays［M］. New York and London: Routledge, 2001.
Novy, Marianne. CrossCultural Performance: Difference in Womens ReVisions of Shakespeare［M］. Urbana: University of Illinois Press, 1993.
Nuttall, A. D.The Alternative Trinity: Gnostic Heresy in Marlowe, Milton, and Blake［M］. Oxford: Clarendon Press, 1998.
Oldridge, Darren. The Witchcraft Reader ［M］. London: Routledge, 2002.
Orgel, Stephen.The Illusion of Power: Political Theater in the English Renaissance ［M］. Berkeley: University of California Press, 1975.
Palmer, D. J. The Tempest: A Casebook［M］. London: Macmillan Education Ltd., 1988.
Payne, Michael. The Greenblatt Reader［M］. Malden: Blackwell Publishing Ltd., 2005.
Perrault, KatherineBartol. Astronomy, Alchemy, and Archetypes: An Integrated View of Shakespeares A Midsummer Nights Dream［D］. Texas Tech University, 2001.