Bitterly she cursed her husband, who had made her a lady of adventure instead of what nature intended, “a harmless household dove”. More and more wildly she ransacked her brains for anecdotes, memories, scandals, views about the bottomless nature of the sea, the inflammable character of the earth – anything that would fill a page and earn her a guinea. She remembered that she had eaten plovers’ eggs with Swift. “Here, Hussey,” said he, “is a Plover’s egg. King William used to give crowns apiece for them...” Swift never laughed, she remembered. He used to suck in his cheeks instead of laughing. And what else could she remember? A great many gentlemen, a great many landladies; how the window was thrown up when her father died, and her sister came downstairs, with the sugar-basin, laughing. All had been bitterness and struggle, except that she had loved Shakespeare, known Swift, and kept through all the shifts and shades of an adventurous career a gay spirit, something of a lady’s breeding, and the gallantry which, at the end of her short life, led her to crack her joke and enjoy her duck with death at her heart and duns at her pillow.
III
MISS ORMEROD
The trees stood massively in all their summer foliage spotted and grouped upon a meadow which sloped gently down from the big white house. There were unmistakable signs of the year 1835 both in the trees and in the sky, for modern trees are not nearly so voluminous as these ones, and the sky of those days had a kind of pale diffusion in its texture which was different from the more concentrated tone of the skies we know.
Mr. George Ormerod stopped from the drawing-room window of Sedburry House, Gloucestershire, wearing a tall furry hat though deferentially, followed by a lady wearing a yellow-spotted dress over a crinoline, and behind her, singly and arm in arm, came nine children in nankeen jackets and long white drawers. They were going to see the water let out of pond.
The youngest child, Eleanor, a little girl with a pale face, rather elongated features, and black hair, was left by herself in the drawing-room, a large sallow apartment with pillars, two chandeliers for some reason enclosed in Holland bags, and several octagonal tables, some of inlaid wood and others of greenish malachite. At one of these little Eleanor Ormerod was seated in a high chair.
“Now Eleanor,” said her mother, as the party assembled for the expedition to the pond, “here are some pretty beetles. Don’t tough the glass. Don’t get down from your chair, and when we come back little George will tell you all about it.”
So saying, Mrs. Ormerod placed a tumbler of water containing about half a dozen great water grubs in the middle of the malachite table, at a safe distance from the child, and followed her husband down the slop of old-fashioned turf towards a cluster of extremely old-fashioned sheep; opening, directly she stepped on to the terrace, a tiny parasol of bottle green silk with a bottle green fringe, though the sky was like nothing so much as a flock bed covered with a counterpane of white dimity.
The plump pale grubs gyrated slowly round and round in the tumbler. So simple an entertainment must surely soon have ceased to satisfy. Surely Eleanor would shake the tumbler, upset the grubs, and scramble down from her chair. Why, even a grown person can hardly watch those grubs crawling down the glass wall, then floating to the surface, without a sense of boredom not untinged with disgust. But the child sat perfectly still. Was it her custom, then, to be entertained by the gyrations of grubs? Her eyes were reflective, even critical. But they shone with increasing excitement. She beat one hand upon the edge of the table. What was the reason? One of the grubs had ceased to float: he lay at the bottom; the rest, descending, proceeded to tear him to pieces.