Therefore, although in many other important respects they differ from us, nevertheless with respect to this particular point of difference, which I have just stated, as it is one of great moment, and the question on hand concerns it, I will first ask them to what gods they think that sacred rites are to be performed,–to the good or to the bad, or to both the good and the bad? But we have the opinion of Plato affirming that all the gods are good, and that there is not one of the gods bad. It follows, therefore, that these are to be performed to the good, for then they are performed to gods; for if they are not good, neither are they gods. Now, if this be the case (for what else ought we to believe concerning the gods?), certainly it explodes the opinion that the bad gods are to be propitiated by sacred rites in order that they may not harm us, but the good gods are to be invoked in order that they may assist us. For there are no bad gods, and it is to the good that, as they say, the due honor of such rites is to be paid. Of what character, then, are those gods who love scenic displays, even demanding that a place be given them among divine things, and that they be exhibited in their honor? The power of these gods proves that they exist, but their liking such things proves that they are bad. For it is well-known what Plato’s opinion was concerning scenic plays. He thinks that the poets themselves, because they have composed songs so unworthy of the majesty and goodness of the gods, ought to be banished from the state. Of what character, therefore, are those gods who contend with Plato himself about
those scenic plays? He does not suffer the gods to be defamed by false crimes; the gods command those same crimes to be celebrated in their own honor.