第27章 THE STATE AS A WORK OF ART(27)(2 / 3)

From this evil and from the ill-starred Guelph sympathies of Florence for a foreign prince, which familiarized it with foreign intervention, came all the disasters which followed.But who does not admire the people which was wrought up by its venerated preacher to a mood of such sustained loftiness that for the first time in Italy it set the example of sparing a conquered foe while the whole history of its past taught nothing but vengeance and extermination? The glow which melted patriotism into one with moral regeneration may seem, when looked at from a distance, to have soon passed away; but its best results shine forth again in the memorable siege of 1529-30.They were 'fools,' as Guicciardini then wrote, who drew down this storm upon Florence, but he confesses himself that they achieved things which seemed incredible;and when he declares that sensible people would have got out of the way of the danger, he means no more than that Florence ought to have yielded itself silently and ingloriously into the hands of its enemies.