第23章 THE STATE AS A WORK OF ART(23)(2 / 3)

A power whose foundations were so complicated, whose activity and interests filled so wide a stage, cannot be imagined without a systematic oversight of the whole, without a regular estimate of means and burdens, of profits and losses.Venice can fairly make good its claim to be the birthplace of statistical science, together, perhaps, with Florence, and followed by the more enlightened despotisms.The feudal state of the Middle Ages knew of nothing more than catalogues of seignorial rights and possessions (urbaria); it looked on production as a fixed quantity, which it approximately is, so long as we have to do with landed property only.The towns, on the other hand, throughout the West must from very early times have treated production, which with them depended on industry and commerce, as exceedingly variable; but even in the most flourishing times of the Hanseatic League, they never got beyond a simple commercial balance-sheet.Fleets, armies, political power and influence fall under the debit and credit of a trader's ledger.In the Italian States a clear political consciousness, the pattern of Mohammedan administration, and the long and active exercise of trade and commerce, combined to produce for the first time a true science of statistics.The absolute monarchy of Frederick II in Lower Italy was organized with the sole object of securing a concentrated power for the death struggle in which he was engaged.In Venice, on the contrary, the supreme objects were the enjoyment of life and power, the increase of inherited advantages, the creation of the most lucrative forms of industry.and the opening of new channels for commerce.