第22章 THE STATE AS A WORK OF ART(22)(2 / 3)

Nevertheless this free movement in the open air gave the Venetian aristocracy, as a whole, a healthy bias.

And when envy and ambition called for satisfaction, an official victim was forthcoming and legal means and authorities were ready.The moral torture which for years the Doge Francesco Foscari (d.1457) suffered before the eyes of all Venice is a frightful example of a vengeance possible only in an aristocracy.The Council of Ten, which had a hand in everything, which disposed without appeal of life and death, of Sfinancial affairs and military appointments, which included the Inquisitors among its number, and which overthrew Foscari, as it had overthrown so many powerful men before this Council was yearly chosen afresh from the whole governing body, the Gran Consiglio, and was consequently the most direct expression of its will.It is not probable that serious intrigues occurred at these elections, as the short duration of the office and the accountability which followed rendered it an object of no great desire.But violent and mysterious as the proceedings of this and other authorities might be, the genuine Venetian courted rather than fled their sentence, not only because the Republic had long arms, and if it could not catch him might punish his family, but because in most cases it acted from rational motives and not from a thirst for blood.No State, indeed, has ever exercised a greater moral influence over its subjects, whether abroad or at home.