第20章 THE STATE AS A WORK OF ART(20)(2 / 3)

A popular radicalism in the form in which it is opposed to the monarchies of later times, is not to be found in the despotic States of the Renaissance.Each individual protested inwardly against despotism but was disposed to make tolerable or profitable terms with it rather than to combine with others for its destruction.Things must have been as bad as at Camerino, Fabriano, or Rimini, before the citizens united to destroy or expel the ruling house.They knew in most cases only too well that this would but mean a change of masters.The star of the Republics was certainly on the decline.

The Republics: Venice and Florence The Italian municipalities had, in earlier days, given signal proof of that force which transforms the city into the State.It remained only that these cities should combine in a great confederation; and this idea was constantly recurring to Italian statesmen, whatever differences of form it might from time to time display.In fact, during the struggles of the twelfth and thirteenth centuries, great and formidable leagues actually were formed by the cities; and Sismondi is of opinion that the time of the final armaments of the Lombard confederation against Barbarossa (from 1168 on) was the moment when a universal Italian league was possible.But the more powerful States had already developed characteristic features which made any such scheme impracticable.In their commercial dealings they shrank from no measures, however extreme, which might damage their competitors; they held their weaker neighbors in a condition of helpless dependence in short, they each fancied they could get on by themselves without the assistance of the r est, and thus paved the way for future usurpation.