They stood for some moments, looking at the illuminated blinds, an expression to them both of something impersonal and serene in the spirit of the woman within, working out her plans far into the night--her plans for the good of a world that none of them were ever to know.
Then their minds jumped on and other little figures came by in procession, headed, in Ralph's view, by the figure of Sally Seal.
"Do you remember Sally Seal?" he asked. Katharine bent her head.
"Your mother and Mary?" he went on. "Rodney and Cassandra? Old Joan up at Highgate?" He stopped in his enumeration, not finding it possible to link them together in any way that should explain the queer combination which he could perceive in them, as he thought of them.
They appeared to him to be more than individuals; to be made up of many different things in cohesion; he had a vision of an orderly world.
"It's all so easy--it's all so simple," Katherine quoted, remembering some words of Sally Seal's, and wishing Ralph to understand that she followed the track of his thought. She felt him trying to piece together in a laborious and elementary fashion fragments of belief, unsoldered and separate, lacking the unity of phrases fashioned by the old believers. Together they groped in this difficult region, where the unfinished, the unfulfilled, the unwritten, the unreturned, came together in their ghostly way and wore the semblance of the complete and the satisfactory. The future emerged more splendid than ever from this construction of the present. Books were to be written, and since books must be written in rooms, and rooms must have hangings, and outside the windows there must be land, and an horizon to that land, and trees perhaps, and a hill, they sketched a habitation for themselves upon the outline of great offices in the Strand and continued to make an account of the future upon the omnibus which took them towards Chelsea; and still, for both of them, it swam miraculously in the golden light of a large steady lamp.