第54章 THE FALSE PHOTOGRAPHER(1)(1 / 3)

When,as lately,events have happened that seem (to the fancy,at least)to test if not stagger the force of official government,it is amusing to ask oneself what is the real weakness of civilisation,ours especially,when it contends with the one lawless man.I was reminded of one weakness this morning in turning over an old drawerful of pictures.

This weakness in civilisation is best expressed by saying that it cares more for science than for truth.It prides itself on its "methods"more than its results;it is satisfied with precision,discipline,good communications,rather than with the sense of reality.But there are precise falsehoods as well as precise facts.Discipline may only mean a hundred men making the same mistake at the same minute.And good communications may in practice be very like those evil communications which are said to corrupt good manners.Broadly,we have reached a "scientific age,"which wants to know whether the train is in the time-table,but not whether the train is in the station.I take one instance in our police inquiries that I happen to have come across:the case of photography.

Some years ago a poet of considerable genius tragically disappeared,and the authorities or the newspapers circulated a photograph of him,so that he might be identified.The photograph,as I remember it,depicted or suggested a handsome,haughty,and somewhat pallid man with his head thrown back,with long distinguished features,colourless thin hair and slight moustache,and though conveyed merely by the head and shoulders,a definite impression of height.If I had gone by that photograph I should have gone about looking for a long soldierly but listless man,with a profile rather like the Duke of Connaught's.