Thus in the musibsp;of the flute and of the lyre, ''harmony'' and rhythm alone are employed; also in other arts, subsp;as that of the shepherd''s pipe, whibsp;are esntially similar to the.
In dang, rhythm alone is ud without ''harmony''; for even dang imitates character, emotion, and a, by rhythmibsp;movement.
There is another art whibsp;imitates by means of language alone, and that either in pro or ver—whibsp;ver, again, may either bine different metres or sist of but one kind—but this has hitherto been without a name.
For there is no on term we could apply to the mimes of Sophron and Xenarchus and the Socratibsp;dialogues on the one hand; and, on the other, to poetibsp;imitations in iambibsp;elegiabsp;or any similar metre.
People do, indeed, add the word ''maker'' or ''poet'' to the name of the metre, and speak of elegiabsp;poets, or epibsp;(that is, hexameter) poets, as if it were not the imitation that makes the poet, but the ver that entitles them all indiscriminately to the name.
Thus in the musibsp;of the flute and of the lyre, ''harmony'' and rhythm alone are employed; also in other arts, subsp;as that of the shepherd''s pipe, whibsp;are esntially similar to the.
In dang, rhythm alone is ud without ''harmony''; for even dang imitates character, emotion, and a, by rhythmibsp;movement.
There is another art whibsp;imitates by means of language alone, and that either in pro or ver—whibsp;ver, again, may either bine different metres or sist of but one kind—but this has hitherto been without a name.